{"title":"Recording","description":"\u003cp\u003eInterfaces from Audient and Arturia, microphones from Austrian Audio, Sennheiser and Neumann. The signal chain before the cable — which we also build.\u003c\/p\u003e","products":[{"product_id":"arturia-minifuse-1","title":"Arturia MiniFuse 1","description":"\u003cp\u003eOne combo XLR\/jack preamp, two monitor outputs, and USB-C bus power in a metal box the size of a paperback. The extra trick is a USB-A hub port on the back — your licence dongle or MIDI keyboard plugs into the interface instead of eating a laptop port.\u003c\/p\u003e\u003cp\u003eThis is the single-input interface for one job at a time: a vocal, a guitar, a stream with loopback routing. Three colours, a five-year warranty, nothing to configure.\u003c\/p\u003e\u003cp\u003eKnow the limit before buying: one input means you cannot record voice and guitar together, and there is no MIDI. If either matters, the MiniFuse 2 exists for exactly that reason.\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Black","offer_id":58433899135240,"sku":"800101","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"White","offer_id":58433899168008,"sku":"800111","price":99.0,"currency_code":"EUR","in_stock":true},{"title":"Champagne","offer_id":58433899200776,"sku":"800121","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/141061.jpg?v=1786645434"},{"product_id":"austrian-audio-dph12","title":"Austrian Audio DPH12 Drum Holder","description":"\u003cp\u003eA rim-mount holder for Austrian Audio's OD-series drum microphones. It clamps to the hoop of a tom or snare and puts the mic exactly where a boom stand cannot reach — inside the kit, out of the drummer's way, holding its aim through a full set of hits.\u003c\/p\u003e\u003cp\u003eAround a drum kit, every stand you remove is one fewer thing to trip over, knock out of position, or carry into the venue. Rim mounts pay for themselves at the first load-in.\u003c\/p\u003e\u003cp\u003eFit note: it is made for the Austrian Audio OD series. Check your microphones before ordering — other brands use their own clips.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433900740872,"sku":"18010F10200","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/136286.jpg?v=1786645440"},{"product_id":"arturia-minifuse-2","title":"Arturia MiniFuse 2","description":"\u003cp\u003eThe two-input MiniFuse adds MIDI in and out — so it doubles as the hub of a small hardware setup. Two combo preamps with 48 V phantom power take a condenser, a dynamic, a guitar, or a stereo synth; the USB-A hub port still swallows a controller or dongle.\u003c\/p\u003e\u003cp\u003eIt suits singer-guitarists recording both parts at once, and anyone with one piece of MIDI hardware and no free ports. Loopback covers streaming and call recording.\u003c\/p\u003e\u003cp\u003eWorth knowing: the preamps are clean and quiet rather than characterful — colour, if you want it, comes later in the chain. Five-year warranty, two colours.\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Black","offer_id":58433900806408,"sku":"800102","price":149.0,"currency_code":"EUR","in_stock":true},{"title":"White","offer_id":58433900839176,"sku":"800112","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/136797.jpg?v=1786645442"},{"product_id":"audient-evo-sp8","title":"Audient EVO SP8","description":"\u003cp\u003eEight more Smartgain preamps down an ADAT light-pipe. Connect it to an EVO 16 — or any interface with optical I\/O — and your channel count grows by eight, with conversion running in both directions so the outputs are useful too.\u003c\/p\u003e\u003cp\u003eIt exists for the day your sessions outgrow the interface: drum kits, full bands, a wall of guitar amps. Smartgain still sets all eight levels in one pass, and the desktop case racks up when the studio gets serious.\u003c\/p\u003e\u003cp\u003eOn its own it records nothing: this is an expander, and it needs an ADAT-equipped interface on the other end of the light-pipe.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433901101320,"sku":"EVO SP8","price":429.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/132652.jpg?v=1786645446"},{"product_id":"arturia-minifuse-4","title":"Arturia MiniFuse 4","description":"\u003cp\u003eTwo combo mic inputs plus two line inputs, four outputs, MIDI, and — the part that matters — two headphone outputs with independent mixes. Two people can record together and each hear their own balance, which is normally where small interfaces give up.\u003c\/p\u003e\u003cp\u003eIt is built for duo recording and small hybrid setups: vocal plus guitar plus a stereo synth, or a producer and vocalist working in the same room. Two USB-A hub ports keep dongles and controllers off the laptop.\u003c\/p\u003e\u003cp\u003eIf you record alone, the MiniFuse 2 does everything you need for less; the 4 earns its keep the first time a second person puts headphones on.\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Black","offer_id":58433901166856,"sku":"800103","price":229.0,"currency_code":"EUR","in_stock":true},{"title":"White","offer_id":58433901199624,"sku":"800113","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/136800.jpg?v=1786645447"},{"product_id":"audient-id48","title":"Audient iD48","description":"\u003cp\u003eThe flagship iD: eight Class A console preamps in one rack-friendly desktop unit, 24-in\/28-out once both ADAT ports are populated, and a full monitor control section. Drum tracking on Audient front ends without a console in the room — that is the design brief, fairly met.\u003c\/p\u003e\u003cp\u003eIt suits studios that put many microphones up at once: drums, live bands, ensemble sessions. Eight preamps on the box, sixteen more possible over optical.\u003c\/p\u003e\u003cp\u003eBe honest about your sessions before buying. Mostly stereo work through one or two mics is iD14 territory; the iD48 is for rooms where every input has a cable in it.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433904017672,"sku":"iD48","price":889.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/139701.jpg?v=1786645490"},{"product_id":"sennheiser-md-421-kompakt","title":"Sennheiser MD 421 Kompakt + Drum Clamp","description":"\u003cp\u003eThe MD 421 has been the tom and broadcast mic since the sixties. The Kompakt keeps that capsule and tuning in a shorter housing with a normal XLR exit — the full-size 421's slide-on clip is the most cursed-at accessory in drum miking, and this one sidesteps it entirely. The drum clamp comes in the box.\u003c\/p\u003e\u003cp\u003eOn toms it is still the reference. It also earns its keep on guitar and bass cabs, and reads a speech voice with that dry broadcast weight.\u003c\/p\u003e\u003cp\u003eDynamic, so no phantom power needed. Buy one per tom and stop thinking about tom mics.\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":58433904804104,"sku":"700589","price":315.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/139293.jpg?v=1786645500"},{"product_id":"arturia-audiofuse-x8-in","title":"Arturia AudioFuse X8 IN","description":"\u003cp\u003eEight channels of AD conversion onto one ADAT lightpipe: eight line-level TRS inputs, 24-bit conversion up to 96 kHz, one optical cable to your interface. The input expander for the AudioFuse 16Rig — or any interface with a spare ADAT port.\u003c\/p\u003e\u003cp\u003eIts home turf is line-level gear: synths, drum machines, outboard returns. A whole hardware wall goes into the computer through a single cable, with no channels sacrificed on the main interface.\u003c\/p\u003e\u003cp\u003eMatch the sample rate on both ends — ADAT is unforgiving about clocking, and 96 kHz operation changes the channel count math on lightpipe.\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Default Title","offer_id":58433905656072,"sku":"831002","price":339.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/138846.jpg?v=1786645513"},{"product_id":"arturia-audiofuse-x8-out","title":"Arturia AudioFuse X8 OUT","description":"\u003cp\u003eThe mirror image of the X8 IN: ADAT in, eight balanced TRS outputs, 24-bit conversion up to 96 kHz. One optical cable from your interface becomes eight analog sends.\u003c\/p\u003e\u003cp\u003eWhat it's for: feeding outboard compressors and EQs, cue mixes for a tracking session, or a summing rig — without giving up your interface's main outputs. Any interface with an ADAT output can drive it.\u003c\/p\u003e\u003cp\u003eSame clocking rule as every lightpipe box: set both ends to the same sample rate before you chase phantom faults anywhere else.\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Default Title","offer_id":58433905852680,"sku":"831003","price":289.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/138847.jpg?v=1786645517"},{"product_id":"audient-oria","title":"Audient ORIA","description":"\u003cp\u003eAn interface built for multichannel speaker rooms: calibrated outputs for layouts up to 9.1.6, Sonarworks SoundID room correction running inside the hardware, and monitor control designed around Atmos-style mixing. Two Audient Class A preamps handle the occasional overdub; ADAT and optional Dante grow the I\/O.\u003c\/p\u003e\u003cp\u003eIt is aimed at post-production and music rooms working in surround and 3D formats, where each speaker needs its own level, delay, and EQ — jobs that otherwise take a rack of processors and an afternoon of wiring.\u003c\/p\u003e\u003cp\u003eFor stereo rooms it is the wrong tool at any budget; the calibration only earns its cost when there are many speakers to herd.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433907360008,"sku":"ORIA","price":3119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/137225.jpg?v=1786645527"},{"product_id":"audient-evo-srb","title":"Audient EVO Start Recording Bundle","description":"\u003cp\u003eEverything for a first recording setup in one box: the EVO 4 interface, an EVO SR1 condenser microphone, SR2000 closed headphones, and both cables. Plug in, press Smartgain, sing — the whole chain works out of the box with nothing left to buy.\u003c\/p\u003e\u003cp\u003eThis is the gift-for-the-kid-who-writes-songs bundle, and it is honest about that job: the mic and headphones are competent rather than remarkable, and the EVO 4 at the centre is good enough to outlast both.\u003c\/p\u003e\u003cp\u003eOne note: a condenser hears the room as well as the voice. Record in the quietest space available, and expect to upgrade the microphone first.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433907458312,"sku":"EVO SRB","price":209.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/80356.jpg?v=1786645529"},{"product_id":"audient-id44-mkii","title":"Audient iD44 MkII","description":"\u003cp\u003eFour Class A preamps, each with an analogue insert point — a hardware compressor or EQ can sit in the path before conversion — plus ADAT in both directions and a monitor section that replaces a separate controller: talkback, main and alt speakers, cut and dim.\u003c\/p\u003e\u003cp\u003eIt is the centre of a serious small studio. Four mics on the box covers most sessions; the 20-in total is there when expanders join over the light-pipe.\u003c\/p\u003e\u003cp\u003eIf you never track through hardware inserts and never switch speaker pairs, you are paying for capability you won't use — the iD14 is the saner buy.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433907589384,"sku":"iD44 MKII","price":569.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/129879.jpg?v=1786645530"},{"product_id":"austrian-audio-oc818-black-dual-set-plus","title":"Austrian Audio OC818 Dual Set Plus (Black)","description":"\u003cp\u003eThe matched OC818 pair in the all-black finish: same handmade CKR12 capsules, same dual outputs that let you change the polar pattern after the take, same mounts and case — minus anything that glints on camera.\u003c\/p\u003e\u003cp\u003eScoring stages, video-forward studios and broadcast rooms pick black for a reason: it disappears against acoustic panelling and looks intentional in the wide shot.\u003c\/p\u003e\u003cp\u003eEverything else matches the silver set. Budget four phantom-powered channels to record both capsules of both mics, and the OCR8 remote works from the floor. Buy on looks — the electronics don't know what colour they are.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433907720456,"sku":"17002F11050","price":2199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/137188.jpg?v=1786645533"},{"product_id":"audient-id4-mkii","title":"Audient iD4 MkII","description":"\u003cp\u003eAudient's console preamp in the smallest possible box: one Class A mic input, a JFET DI that behaves like a good amp's front end, and a monitor knob that doubles as a scroll wheel for your DAW. USB-C bus powered.\u003c\/p\u003e\u003cp\u003eIt is the quality-over-quantity pick for solo recordists — one vocal or one guitar at a time, through a noticeably better analogue path than any starter interface offers.\u003c\/p\u003e\u003cp\u003eThe single mic input is a hard limit: a voice and a mic'd amp together is already too much. If your sessions will ever need two microphones, start at the iD14 or an EVO 8 instead.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433907818760,"sku":"iD4 MKII","price":159.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/80354.jpg?v=1786645535"},{"product_id":"austrian-audio-oc16-studio-set","title":"Austrian Audio OC16 Studio Set","description":"\u003cp\u003eThe cheapest way onto Austrian Audio's ceramic-capsule ladder: a large-diaphragm cardioid condenser built in Vienna, with the OC818's capsule know-how distilled into a fixed-pattern mic. The Studio Set ships with the shockmount and pop filter, so there is nothing else to buy before the first take.\u003c\/p\u003e\u003cp\u003eIt's a first serious vocal mic — voice-over, home-studio vocals, acoustic guitar. One pattern, no pads, no filters: fewer switches to set wrong.\u003c\/p\u003e\u003cp\u003eIt's a condenser, so it needs 48 V phantom power from your interface. Loud sources are fine — it takes 148 dB before complaining.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433907884296,"sku":"20002F10100","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/129098.jpg?v=1786645535"},{"product_id":"audient-id14-mkii","title":"Audient iD14 MkII","description":"\u003cp\u003eTwo of Audient's Class A console preamps, proper monitor control with the ScrollControl knob, and ADAT expansion in a desktop block of aluminium. Read the 10-in figure correctly: two mic preamps on the box, the other eight arriving only when you add an optical expander like the EVO SP8 or ASP800.\u003c\/p\u003e\u003cp\u003eThis is the project-studio default — one or two sources at a time, recorded through front ends that used to require a console, monitored through dual headphone outputs with real drive behind them.\u003c\/p\u003e\u003cp\u003eNo MIDI on this one — Audient keeps it simple and spends the budget on the analogue path instead.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433908179208,"sku":"iD14 MKII","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/80355.jpg?v=1786645539"},{"product_id":"audient-evo16","title":"Audient EVO 16","description":"\u003cp\u003eAudient's desk-format flagship EVO: eight Smartgain preamps, a screen running the Motion UI that makes deep routing legible, and ADAT in both directions. The 24-in count is honest but optical — out of the box you get eight mic inputs, and the rest arrive only when you add expanders like the EVO SP8.\u003c\/p\u003e\u003cp\u003eIt is the band-tracking interface of the EVO range: drums plus guide vocals in one pass, two headphone outputs for the players, Smartgain setting eight levels in the time it takes to play a verse.\u003c\/p\u003e\u003cp\u003eSolo recordists will never touch six of those preamps — an EVO 8 or iD14 is the smarter buy there.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433908375816,"sku":"EVO16","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/129462.jpg?v=1786645541"},{"product_id":"arturia-audiofuse-16rig","title":"Arturia AudioFuse 16Rig","description":"\u003cp\u003eA rack interface built for synth people: sixteen line inputs on the back where they belong, ADAT for sixteen more, a USB hub for controllers, and standalone mixing when the computer stays off. One rack unit replaces the patchbay, the interface and the powered hub.\u003c\/p\u003e\u003cp\u003eChannel honesty: those sixteen inputs are line level. This is for hardware rigs — synths, drum machines, outboard returns — not for tracking a band of microphones. If you need mic channels in quantity, the ADAT ports will take a preamp expander.\u003c\/p\u003e\u003cp\u003eThe standalone mixer mode matters more than it sounds: the rig still sums when the laptop stays in the bag.\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Default Title","offer_id":58433908637960,"sku":"831001","price":1144.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/136960.jpg?v=1786645544"},{"product_id":"audient-evo8","title":"Audient EVO 8","description":"\u003cp\u003eEVO 4 logic, doubled: four Smartgain preamps, four outputs, and two headphone jacks with independent volume. That second headphone output is the quiet headline — a podcast guest or duet partner hears themselves without a splitter box.\u003c\/p\u003e\u003cp\u003eIt records a two-person podcast, a small demo session, or a stereo source plus two mics, and still runs on USB-C bus power alone — no power brick in the bag.\u003c\/p\u003e\u003cp\u003eThe limit is preamp character rather than count: these are clean and honest, not coloured. If you want console-flavoured front ends, the iD range is where Audient keeps them.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433913159944,"sku":"EVO8","price":189.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/73517.jpg?v=1786645546"},{"product_id":"austrian-audio-od5","title":"Austrian Audio OD5","description":"\u003cp\u003eAn active dynamic for instruments: moving-coil toughness with a powered output stage behind it, which buys the top-end reach and consistent level you'd normally step up to a condenser for. Cardioid, with the swivel joint built in, so it aims at a cab or a snare without a forest of clamps.\u003c\/p\u003e\u003cp\u003eGuitar and bass cabs, snare, brass — sources that are loud, close and unkind to fragile microphones.\u003c\/p\u003e\u003cp\u003eThe one thing to know: active means it needs 48 V phantom power, which is unusual for a dynamic. Forget to switch it on and the mic stays silent.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433913225480,"sku":"18010F10100","price":238.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/129101.jpg?v=1786645547"},{"product_id":"audient-evo4","title":"Audient EVO 4","description":"\u003cp\u003eThe interface we hand to anyone recording their first vocal. Two genuinely clean preamps with 48 V phantom power, and Smartgain sets your levels for you: press the button, sing the chorus, and the gain lands where an engineer would have put it.\u003c\/p\u003e\u003cp\u003eLoopback routing does streaming and podcast call recording without cable salad, the JFET instrument input takes a guitar directly, and the whole thing runs from a laptop's USB-C port at pocket size.\u003c\/p\u003e\u003cp\u003eTwo inputs is the ceiling — a duo, or a mic'd amp plus a vocal, fills it immediately. That is the EVO 8's job.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433913389320,"sku":"EVO4","price":119.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/68750.jpg?v=1786645549"},{"product_id":"austrian-audio-oc818-black-studio-set","title":"Austrian Audio OC818 Studio Set (Black)","description":"\u003cp\u003eThe OC818 Studio Set in all-black livery: the same dual-output multipattern flagship — rear capsule on its own channel, patterns adjustable after the take — in a finish that stays quiet on camera and on dark stages.\u003c\/p\u003e\u003cp\u003eStreamers, scoring rooms and broadcast studios take the black; the silver version reads laboratory, this one reads furniture. The capsule inside is the identical handmade CKR12.\u003c\/p\u003e\u003cp\u003eSame requirements too: 48 V phantom power, and a second preamp channel if you want the pattern-after-the-fact trick. Shockmount, pop filter and mini-XLR cable come in the set.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433913979144,"sku":"17002F10250","price":999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/128875.jpg?v=1786645554"},{"product_id":"audient-nero","title":"Audient NERO Monitor Controller","description":"\u003cp\u003eA desktop monitor controller with a properly engineered analogue volume core: three speaker sets, four sources, built-in talkback, and four headphone outputs with cue mixes. One knob, no software layer between you and the level.\u003c\/p\u003e\u003cp\u003eIt adds to an existing rig exactly what interfaces skimp on — instant A\/B between speaker pairs, a talkback path for tracking sessions, and a volume control you trust. The box that removes \"which output was live\" from your studio vocabulary.\u003c\/p\u003e\u003cp\u003eIf you run one pair of speakers and never record other people, your interface's knob already does this job. NERO is for rigs that have outgrown it.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433914470664,"sku":"NERO","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/61121.jpg?v=1786645558"},{"product_id":"arturia-minifuse-recording-pack","title":"Arturia MiniFuse Recording Pack","description":"\u003cp\u003eA MiniFuse 2 in white, a condenser microphone, closed-back headphones, and the cables to connect them — Arturia's complete first studio in one box. Plug into a laptop, add the bundled software, and you are recording the same afternoon.\u003c\/p\u003e\u003cp\u003eIt is aimed at someone starting from zero: nothing to match, nothing missing. The MiniFuse 2 at the centre keeps its MIDI ports and USB hub, so the setup grows — a controller keyboard plugs straight in.\u003c\/p\u003e\u003cp\u003eIf you already own decent headphones or a microphone, buy the MiniFuse 2 alone and put the difference into the piece you are actually missing.\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Default Title","offer_id":58433914896648,"sku":"800212","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/136799.jpg?v=1786645561"},{"product_id":"neumann-tlm-102","title":"Neumann TLM 102","description":"\u003cp\u003eThe small Neumann that made the badge attainable. Compact large-diaphragm cardioid, 144 dB max SPL so it takes drums and horns as happily as vocals, and that close-focus Neumann midrange singers pay for. No pads, no filters, no fuss.\u003c\/p\u003e\u003cp\u003eFor home and project vocal booths it is the sensible Neumann: one pattern, one job, done properly. It needs 48 V phantom and, like every large condenser, a quiet room — it will document your fridge. Feed it a clean preamp with headroom and it repays the favour.\u003c\/p\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":58433914962184,"sku":"008626","price":719.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/28529.jpg?v=1786645563"},{"product_id":"austrian-audio-cc8","title":"Austrian Audio CC8 Classic Condenser","description":"\u003cp\u003eA small-diaphragm true condenser with Austrian Audio's ceramic capsule mounting — a pencil mic built for precision work: acoustic guitar, hi-hat, percussion, and any source where a big diaphragm would smear the detail. Cardioid pattern, 145 dB maximum SPL, so close brass and drum rims hold no fear.\u003c\/p\u003e\u003cp\u003eSold as a single microphone, with clip and windshield included. It needs 48 V phantom power, which any interface on our shelf provides.\u003c\/p\u003e\u003cp\u003eBuyers planning stereo work should pause here: overheads and piano want a matched pair, and matching is done at the factory, not afterwards. That is what the CC8 Stereo Set is for.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433915191560,"sku":"18013F10100","price":429.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/126710.jpg?v=1786645563"},{"product_id":"arturia-audiofuse-rev2","title":"Arturia AudioFuse Rev2","description":"\u003cp\u003eThe desktop Swiss knife: fourteen ins and outs with two of Arturia's DiscretePRO preamps, a proper RIAA phono input for the sampling crowd, talkback, two independent headphone outputs and a three-port USB hub. Rev2 carries the refined converters.\u003c\/p\u003e\u003cp\u003eChannel honesty: two microphone preamps means recording one or two sources at a time — a vocal over a beat, a stereo pair, guitar and voice. The 14-in figure counts the digital and phono paths, not fourteen mics.\u003c\/p\u003e\u003cp\u003eThe phono input is the quiet differentiator — sampling vinyl without an external preamp is rare at this size of box.\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Default Title","offer_id":58433915748616,"sku":"811001","price":685.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/136802.jpg?v=1786645566"},{"product_id":"austrian-audio-oc707","title":"Austrian Audio OC707","description":"\u003cp\u003eA true condenser in a stage handheld: the OC series' ceramic-capsule work packed behind a wire-mesh grille, so the voice you sound-checked in the studio survives contact with a live console. Cardioid, built to be held.\u003c\/p\u003e\u003cp\u003eIt's for singers whose voice carries the show — jazz, acoustic sets, controlled stages — and for venues tired of EQ-ing dynamics into shape. There is detail up top here that a moving-coil handheld doesn't reach.\u003c\/p\u003e\u003cp\u003eTwo warnings from the counter: it needs 48 V phantom from the desk, and condensers reward technique. Cup the grille or eat the mic and it will report that faithfully.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433916502280,"sku":"18009F10100","price":399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/126712.jpg?v=1786645569"},{"product_id":"arturia-audiofuse-studio","title":"Arturia AudioFuse Studio","description":"\u003cp\u003eThe full-desk AudioFuse: four DiscretePRO preamps, eighteen ins and twenty outs, Bluetooth and phono inputs, talkback, ADAT expansion and a real monitoring section with speaker A\/B switching and two headphone outputs.\u003c\/p\u003e\u003cp\u003eChannel honesty: four is the number that matters — four microphones at once without expanders, enough for a podcast round-table, a small drum setup or a duo with room mics. The 18-in figure counts ADAT and Bluetooth. For eight mic channels, fill the ADAT port with a preamp expander.\u003c\/p\u003e\u003cp\u003eIf the interface is also going to be your monitor controller, the A\/B switching and talkback settle the choice.\u003c\/p\u003e","brand":"Arturia","offers":[{"title":"Default Title","offer_id":58433916535048,"sku":"830101","price":875.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/136804.jpg?v=1786645570"},{"product_id":"sennheiser-e604","title":"Sennheiser e 604","description":"\u003cp\u003eThe clip-on tom and snare dynamic that lives on drum rims worldwide. The integrated clamp grips the hoop — no stand, no boom arm creeping mid-set — and the glass-fibre body shrugs off stick hits that would end prettier mics.\u003c\/p\u003e\u003cp\u003eFor drummers and engineers miking toms without clutter: clip, aim, play. The cardioid pattern keeps cymbal bleed civilised, and being a dynamic it needs no phantom power.\u003c\/p\u003e\u003cp\u003eThree of them across rack and floor toms is the classic move. It covers snare in a pinch too, though snare usually gets its own dedicated mic.\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":58433916600584,"sku":"004519","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/27285.jpg?v=1786645571"},{"product_id":"sennheiser-e902","title":"Sennheiser e 902","description":"\u003cp\u003eKick-drum dynamic with the low-end already voiced in: attack presence around 4 kHz, weight below 100 Hz. Stand it in the port, push the fader, and the kick sound most rooms want is largely there before you touch an EQ.\u003c\/p\u003e\u003cp\u003eFor live kits and project-studio drum recording. The stand adapter is built into the body, so it sits low on a short boom without an elbow of extra hardware.\u003c\/p\u003e\u003cp\u003eIt is tuned for its job — bass amps and floor toms also benefit — but do not expect a flat mic; the voicing is the product. For the inside-the-drum perspective instead, see Beyerdynamic's TG D71 boundary.\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":58433917092104,"sku":"500199","price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/27293.jpg?v=1786645575"},{"product_id":"sennheiser-e906","title":"Sennheiser e 906","description":"\u003cp\u003eA flat-profile dynamic made to hang in front of a guitar cab by its own cable — no stand, no fuss, capsule sitting right on-axis. Supercardioid pickup keeps the rest of the room out, and a three-position presence switch shifts the voicing from soft to biting before you ever touch an EQ.\u003c\/p\u003e\u003cp\u003eGuitarists record with it, live techs hang it, drummers borrow it for snare, and brass players stopped arguing with it years ago. Dynamic capsule, so no phantom power needed and stage volume does not scare it.\u003c\/p\u003e\u003cp\u003eBring your own XLR cable; if you would rather put it on a stand, the clip is in the box.\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":58433917452552,"sku":"500202","price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/27295.jpg?v=1786645580"},{"product_id":"audient-asp800","title":"Audient ASP800","description":"\u003cp\u003eEight of Audient's ASP console preamps in a rack unit, feeding ADAT so they land in any interface with an optical input. Channels one and two add the Retro section — HMX harmonic drive and IRON transformer loading, dialled in from the front panel — for when a source needs weight rather than transparency.\u003c\/p\u003e\u003cp\u003eThis is the box that turns a two-preamp interface into a drum-tracking rig, or adds eight channels to an iD44 or EVO 16 for full-band sessions.\u003c\/p\u003e\u003cp\u003eBe clear on what it is not: an interface. It needs one with ADAT in on the other end of the light-pipe.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433917649160,"sku":"ASP800","price":699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/19791.jpg?v=1786645583"},{"product_id":"austrian-audio-cc8-stereo-set","title":"Austrian Audio CC8 Stereo Set","description":"\u003cp\u003eA factory-matched pair of CC8 small-diaphragm condensers with a stereo bar, clips, windshields, and a case. The matching is the product: two capsules selected to behave identically, so drum overheads, piano, and string sections image precisely instead of drifting to one side.\u003c\/p\u003e\u003cp\u003eSetup takes minutes — bar on one stand, X\/Y or spaced, done. Both mics are cardioid and need 48 V phantom power, so plan on an interface or preamp with two phantom-fed inputs.\u003c\/p\u003e\u003cp\u003eIf your work is spot-miking single sources, the single CC8 covers it; the set is for anyone who records in stereo often enough to own a piano or a drum kit.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433917813000,"sku":"18013F10200","price":799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/126711.jpg?v=1786645586"},{"product_id":"austrian-audio-od505","title":"Austrian Audio OD505","description":"\u003cp\u003eAn active dynamic vocal handheld: the ruggedness and feedback resistance of a stage dynamic, with a powered output stage that restores the top-end air dynamics usually trade away. Supercardioid, so it hears the singer and mostly ignores the wedges.\u003c\/p\u003e\u003cp\u003eIt's for vocalists who have outgrown the standard-issue stage mics but can't risk a condenser — loud bands, rough monitors, and the long cable runs the active output shrugs off.\u003c\/p\u003e\u003cp\u003eLike all active dynamics it wants 48 V phantom power from the desk; without it, silence. Supercardioid also means aim matters — sing into the top of the grille, not across it.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433918992648,"sku":"18008F10100","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/126713.jpg?v=1786645590"},{"product_id":"austrian-audio-oc818-studio-set","title":"Austrian Audio OC818 Studio Set","description":"\u003cp\u003eAustrian Audio's flagship condenser: a dual-output large-diaphragm mic where the rear capsule records to its own channel, so the polar pattern becomes a mixing decision — cardioid at the session, figure-8 by Friday, via the included PolarDesigner plugin. Self-noise of 9 dB(A) puts it among the quietest mics we stock.\u003c\/p\u003e\u003cp\u003eIt's for engineers who genuinely change their minds: room ambience, unpredictable sources, one-mic-does-everything studios.\u003c\/p\u003e\u003cp\u003eUsed single-output it behaves like a very good multipattern condenser on 48 V phantom; the after-the-take trick needs a second preamp channel and the mini-XLR cable from the box. Shockmount and pop filter included.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433919090952,"sku":"17002F10200","price":999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/126647.jpg?v=1786645593"},{"product_id":"audient-oria-mini","title":"Audient ORIA MINI","description":"\u003cp\u003eORIA's room-correction engine in a half-rack box, minus the interface. It sits in the analogue path between whatever interface you already own and your monitors, applying Sonarworks-based DSP correction that lives in the hardware itself — no plugin, no driver, nothing to forget to enable.\u003c\/p\u003e\u003cp\u003eIt exists for a common situation: a decent interface, decent monitors, and a room that undoes both. Store the profile once and the correction follows the monitors, whatever the source.\u003c\/p\u003e\u003cp\u003eStereo in, stereo out — multichannel rooms need the full ORIA. And correction tames a room's worst habits; it does not replace basic treatment behind the speakers.\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":58433920106760,"sku":"ORIA MINI","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/142892.jpg?v=1786645592"},{"product_id":"austrian-audio-oc818-dual-set-plus","title":"Austrian Audio OC818 Dual Set Plus","description":"\u003cp\u003eTwo OC818s, factory-matched, with shockmounts, windshields and the case: the full stereo rig from the top of Austrian Audio's range. Each mic has dual outputs — the rear capsule records to its own channel — so the polar pattern isn't a decision you make at setup, it's a fader you ride in the mix.\u003c\/p\u003e\u003cp\u003eThis is for rooms, orchestras, drum kits, and engineers who want to audition XY against Blumlein after everyone has gone home.\u003c\/p\u003e\u003cp\u003eBudget four preamp channels with 48 V phantom to use the dual-output trick on both mics, and add the OCR8 remote if the stands live where a ladder has to reach.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433920139528,"sku":"17002F11000","price":2199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/126649.jpg?v=1786645594"},{"product_id":"austrian-audio-oc18-studio-set","title":"Austrian Audio OC18 Studio Set","description":"\u003cp\u003eThe OC18 is the working studio's cardioid: the handmade CKR12 ceramic capsule from the OC818, fixed to a single pattern, with self-noise low enough to record whisper-quiet sources cleanly. Pads to −20 dB and a three-position low-cut mean it also takes a snare or a shouting vocalist without flinching.\u003c\/p\u003e\u003cp\u003eThe Studio Set adds the OCS8 shockmount and OCP8 pop filter — working kit, not a bare mic in a box.\u003c\/p\u003e\u003cp\u003eIt needs 48 V phantom power. If you'll only ever point it at one source in one room, this is the sensible ceiling; the OC818's extra patterns cost real money.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433920991496,"sku":"18005F10200","price":669.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/126650.jpg?v=1786645595"},{"product_id":"austrian-audio-oc18-dual-set-plus","title":"Austrian Audio OC18 Dual Set Plus","description":"\u003cp\u003eA factory-matched pair of OC18 cardioid condensers with two shockmounts, windshields and a case. Matched means Austrian Audio picks two mics whose capsules measure alike — which is what makes a stereo image sit still instead of wandering.\u003c\/p\u003e\u003cp\u003eThis is the overheads-and-piano purchase: drum kits, ensembles, choirs, rooms. Anything you record in stereo and want to fold to mono later without surprises.\u003c\/p\u003e\u003cp\u003eYou'll need two preamp channels with 48 V phantom — realistically four or more if drums are involved. Buy the pair once; hunting a second OC18 later and hoping it matches is not a plan.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433921057032,"sku":"18005F10500","price":1399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/126652.jpg?v=1786645598"},{"product_id":"austrian-audio-ocr8-remote","title":"Austrian Audio OCR8 Bluetooth Remote","description":"\u003cp\u003eA Bluetooth module that clips the OC818 to your phone: polar pattern, pad and high-pass filter adjusted from the PolarPilot app, from wherever you happen to be standing — usually the listening position, the only place those decisions are worth making.\u003c\/p\u003e\u003cp\u003eIt earns its keep the moment a mic goes somewhere inconvenient: over a drum kit, in the ceiling above a choir, behind a screen on a film stage.\u003c\/p\u003e\u003cp\u003eOC818 only — the OC18 and OC16 have fixed patterns, so there is no pattern for it to change. Running a pair means one module per mic.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433921909000,"sku":"17002F10400","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/126653.jpg?v=1786645599"},{"product_id":"austrian-audio-ocp8-pop-filter","title":"Austrian Audio OCP8 Pop Filter","description":"\u003cp\u003eA metal-mesh pop filter that clips straight onto Austrian Audio's OC-series shockmounts — no gooseneck clamped to the stand, no arm drooping into frame halfway through a session.\u003c\/p\u003e\u003cp\u003eIt does the one job: kills plosives before they hit the capsule, without the top-end dulling that cheap nylon screens add. Metal mesh also wipes clean, which matters more than anyone admits after a month of shared-studio vocals.\u003c\/p\u003e\u003cp\u003eThe catch is also the point: it fits the OC-series mounts, so check what your mic hangs in before ordering. On anything else, you're back to a conventional clamp filter.\u003c\/p\u003e","brand":"Austrian Audio","offers":[{"title":"Default Title","offer_id":58433922007304,"sku":"17002F10900","price":43.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/126658.jpg?v=1786645601"},{"product_id":"shure-sm57","title":"Shure SM57","description":"\u003cp\u003eThe instrument workhorse. Snare, guitar cabs, brass, percussion: for fifty years the default answer, and the mic every engineer's muscle memory is calibrated to. Same capsule idea as the SM58 without the ball grille, which is why the pair covers a whole stage between them.\u003c\/p\u003e\u003cp\u003eDynamic and nearly unkillable, it takes drum hits and cab volume that would embarrass condensers, and its presence lift flatters exactly the sources it is famous for.\u003c\/p\u003e\u003cp\u003eBring an XLR cable and a stand. For podium or speech duty, add the A2WS windscreen — hard consonants pop on the bare grille.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":58433924301064,"sku":"SM57-LCE","price":115.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/8c80cb144e8a6494c5e10517dc121683.png?v=1786645616"},{"product_id":"shure-motiv-mv88","title":"Shure Motiv MV88+","description":"\u003cp\u003eA stereo condenser that plugs straight into a phone — and this is the Video Kit, so the Manfrotto PIXI tripod, phone clamp and mic mount come along. Mic on the front, phone in the clamp, and you have a self-contained rig for interviews, gigs and location video.\u003c\/p\u003e\u003cp\u003eOutput is digital over USB-C or Lightning; the MOTIV app sets stereo width, gain and pickup pattern. Recordings land on the phone, not on a memory card.\u003c\/p\u003e\u003cp\u003eKnow before buying: the 3.5 mm jack is for headphone monitoring only — there is no XLR or analogue mic output, so it cannot feed a camera or mixer. It is a phone microphone, and a very good one.\u003c\/p\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":58433924661512,"sku":"MV88+DIG-VIDKIT","price":282.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/bf665f5d3ad834dc121f10f5b8e82604.webp?v=1786645619"},{"product_id":"beyerdynamic-true-condenser-microphone","title":"Beyerdynamic True condenser microphone","description":"\u003cp\u003eBeyerdynamic's MC 930: a small-diaphragm true-condenser pencil mic, cardioid, from the Heilbronn pro line. Switchable low-cut and pre-attenuation sit on the body; power is 48 V phantom.\u003c\/p\u003e\u003cp\u003eFor project studios and location recordists who want one serious condenser covering acoustic guitar, piano, choir and drum-overhead work. Detail is the point — it hears the instrument, the room and the chair squeak with equal enthusiasm, which untreated rooms should weigh honestly.\u003c\/p\u003e\u003cp\u003eIf stereo work is in the plan, the factory-matched MC 930 stereo set images better than two singles bought apart.\u003c\/p\u003e","brand":"Beyerdynamic","offers":[{"title":"Default Title","offer_id":58433926955272,"sku":"730211","price":648.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/mc-930-microphone-made-in-germany-beyerdynamic-perspective_transparent.png?v=1786645643"},{"product_id":"beyerdynamic-true-condenser-microphone-730262","title":"Beyerdynamic True condenser microphone","description":"\u003cp\u003eThe MC 930 again — Beyerdynamic's cardioid small-diaphragm true condenser — under a different factory part number. Same mic: body-mounted low-cut and pre-attenuation switches, 48 V phantom power, Heilbronn build.\u003c\/p\u003e\u003cp\u003eIt is the German workhorse pencil condenser: acoustic guitar, piano, strings, choir, drum overheads. The detail that makes it good also makes it honest about bad rooms — treat the space or mic close.\u003c\/p\u003e\u003cp\u003eOne is a spot mic. Stereo overheads and piano want two matched capsules, which is exactly what the factory-matched MC 930 set is for.\u003c\/p\u003e","brand":"Beyerdynamic","offers":[{"title":"Default Title","offer_id":58433927348488,"sku":"730262","price":648.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/mc-950-condenser-microphone-made-in-germany-perspective-transparent.png?v=1786645650"},{"product_id":"beyerdynamic-tg-d57","title":"Beyerdynamic TG D57","description":"\u003cp\u003eA condenser clip-on for drums: a miniature capsule on a flexible gooseneck with a rim clamp. Condenser speed pulls more attack and detail out of snare and toms than a dynamic clip manages, with the same no-stands convenience.\u003c\/p\u003e\u003cp\u003eFor drummers who have outgrown dynamic clips, and engineers who want tom articulation to survive a dense mix. It needs 48 V phantom power, so count your powered channels before the kit is wired.\u003c\/p\u003e\u003cp\u003eA condenser this close to a drum hears everything — position with care or the hi-hat rides along on the tom channel. In a loud room with few channels to spare, the dynamic TG D35 is the more forgiving buy.\u003c\/p\u003e","brand":"Beyerdynamic","offers":[{"title":"Default Title","offer_id":58433927741704,"sku":"707015","price":179.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/tg-d57-beyerdynamic-made-in-germany-perspective_transparent.png?v=1786645653"},{"product_id":"beyerdynamic-tg-drum-set-pro-m","title":"Beyerdynamic TG Drum Set PRO M","description":"\u003cp\u003eThe mid-size of Beyerdynamic's pre-matched TG drum packages: the mics to cover a kit's essentials in one purchase, voiced to work together out of the box. One decision instead of a research project.\u003c\/p\u003e\u003cp\u003eFor bands, rehearsal spaces and small venues putting drums through a PA or an interface. The practical constraint is channels, not mics — count your phantom-powered preamps before everything is wired and something has nowhere to plug in.\u003c\/p\u003e\u003cp\u003eFor a bigger kit and fuller coverage, step up to the PRO L. If you are only miking kick and snare, two single mics will do it for less.\u003c\/p\u003e","brand":"Beyerdynamic","offers":[{"title":"Default Title","offer_id":58433928265992,"sku":"727687","price":748.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/beyerdynamic-tg-drum-set-m_transparent_b-stock.png?v=1786645660"},{"product_id":"beyerdynamic-tg-i51","title":"Beyerdynamic TG I51","description":"\u003cp\u003eA dynamic instrument mic from the TG line — the kind you park against a guitar-cab grille and stop thinking about. Dynamics take high sound pressure without fuss, need no phantom power, and tolerate the handling that instruments and stages dish out.\u003c\/p\u003e\u003cp\u003eFor electric guitar and bass cabs, snare and brass, live or in the rehearsal room. Plug into any preamp, aim near the speaker cone, then move it a few centimetres at a time — position is the EQ here.\u003c\/p\u003e\u003cp\u003eIt is not the tool for acoustic-guitar detail or cymbals; that is condenser territory, where the TG I53 lives.\u003c\/p\u003e","brand":"Beyerdynamic","offers":[{"title":"Default Title","offer_id":58433929609480,"sku":"737178","price":129.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1058\/2710\/7080\/files\/tg-i-51-made-in-germany-beyerdynamic-perspective_transparent.png?v=1786645668"},{"product_id":"beyerdynamic-m-70-pro-x","title":"Beyerdynamic M 70 Pro x","description":"\u003cp\u003eBeyerdynamic's spoken-word dynamic for the desk: podcast, streaming, voice-over. 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